Review and interview: The K’s @ The Leadmill
Enter Shikari: “We wanted a rowdy one to start the tour and the Leadmill seemed like the perfect place.”
The Rosadocs @ The Leadmill
Interview: The Lughole on new venue, building community and how you can help
Children of the State: “We just wanted to let the dust settle for a while and ensure we had something to say when we returned…”
Interview: Women of the Seven Hills returns next month
ADULT ENTERTAINMENT: “It was important to do something a bit cerebral, but also slightly more menacing and something you can dance to”
Tsarzi: ”I’m essentially a people watcher masquerading as an artist.”
Comedy: John Shuttleworth @ the Lantern Theatre and The Crucible
Bombay Bicycle Club: ‘You’ve got to find the good things amongst the bad.’
Bleep and Bass: How Sheffield helped shape British dance music
2019: Best of Exposed In Sesh!
EPB’s Big Shaun: “Sheffield is the hidden jewel in the crown of the north, once discovered, always loved.”
It’s CHRIStmas: Kammy on his festive new album
“The only issue is that I have to try and better each show every year. Anyone got McCartney’s number?” – Joe Carnall on his upcoming Christmas bash
Review and Q&A with Only Sun
LIO: “My songwriting always comes from a place of honesty”
My Life in Music: Catherine Carr (Rafiki Jazz)
Kate Tempest interview: “What I’m trying to express is something bigger, something more universal”
The Reytons @ O2 Academy Sheffield
In interview with Floodhounds
Simon Reeve: “We are too connected as people now to ignore the rest of the world”
Black Madonna: “The world is crazy; it feels like it’s on fire at the moment.”
Interview: Kid Acne talks recent solo exhibition and upcoming EP, HAVE A WORD
ARTIST SPOTLIGHT: FROG AND BONE
Sheffield’s poet laureate Otis Mensah on his new EP, RAP POETICS
Harold and Arthur’s Horror Show
“It’s been an interesting and complex experience” – Daniel Portman on The Last King of Scotland
Thinking outside the Bloxx