Hallamshire Hotel – Music Hall & Late Bar to open in Feb
Tramlines 2024 Apply to Play now open
INTERVIEW: Bromheads Jacket
“It scratches a completely different itch” – Joe Carnall on upcoming Xmas shows and a change of direction for Good Cop Bad Cop
The Rise of Slambarz: “There’s not a lot in Sheffield that gives you this sort of opportunity”
Review: Sundara Karma @ Leadmill
REVIEW: Sheffield Beatles Project @ Octagon Centre
Richard Hawley announces biggest hometown show ever as part of Rock n Roll Circus
REVIEW: Astrels – The Velvet Sea & The Afterglow
REVIEW: DIMITRI – Probably a Metaphor
Mat Hook on returning to the live scene: “I always have an unshakeable expectation that I’ll nail any live gig”
Milburn reform for special one-off show at Don Valley Bowl
“I wanted a taste of something new”: Otis Mensah on move to Berlin and ‘Winterskin’ release
Rock N Roll Circus announces 2024 return and first headliner
Sheffield Cathedral to put on world first lightshow
UK’s biggest celebration of black music and culture comes to Sheffield for first time
REVIEW: Folk in the Fly Tower @ Abbeydale Picture House
REVIEW: Astrels @ Church – Temple of Fun
REVIEW: Mickey Nominono @ Sheffield General Cemetery
November: Music top picks
Through the Lens: Benji Wilson
REVIEW: Femur, Drastic//Automatic and Any Old Iron @ Yellow Arch
Partying without the hangover? The first DAY FEVER promises the perfect daytime session for over-30s
Gig preview: Dreamflower Collective’s electric re-interpretation of ‘Awaken! My Love’ @ The Foundry
Astrels’ Steve Edwards on ‘Sheffield Space Opera’: “Even though I’ve been doing music for a long time now, this is one of the most exciting things I’ve worked on”
Review: DEADLETTER @ Yellow Arch
Sensoria Review: “A festival which celebrates creativity and technical innovation”
The Secrets to Organizing a Successful Live Music Show for Your Corporate Event
Review: Chemtrails @ Samuel Worth Chapel
Popular city-centre nightclub returns from the dead for Halloween